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2013년 11월 27일 수요일

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When               we               picture               underwater               cinematography,               we               automatically               gravitate               to               the               old               nature               documentaries               produced               by               legendary               oceanographer               Jacques               Cousteau               in               decades               long               before               the               age               of               CGI.

Cousteau's               heyday               also               came               after               an               initial               craze               of               3D               in               movies               during               the               1950's               when               the               only               thing               closest               to               underwater               cinematography               in               3D               was               1954's               so-bad-it's-good               "Creature               from               the               Black               Lagoon"               and               its               so-bad-it's-bad               sequel.

After               the               basic               3D               concept               ran               its               course               and               caused               millions               of               headaches               in               the               process,               documentarians               of               nature               weren't               about               to               spend               extra               money               to               show               Earthly               beauty               in               an               archaic               film               process.

It               wasn't               until               years               later               in               the               mid               1990's               when               CGI               started               taking               a               flying               leap               forward               did               two               French               filmmaking               brothers               by               the               name               of               Mantello               decide               to               be               ahead               of               the               herd               and               bring               3D               to               nature               documentaries.
               There               shouldn't               be               any               surprise               that               French               filmmakers               delved               into               such               technology               considering               France               has               always               taken               film               to               new               levels               years               before               the               U.S.

inevitably               copied               it.

There               was               also               an               inevitable               connection               of               these               brothers               (Francois               and               Jean-Jacques)               to               Jacques               Cousteau's               celebrated               documentaries               on               our               world's               oceans               that               eventually               led               to               a               production               relationship               with               Cousteau's               son.

While               it's               debatable               whether               Jacques               Cousteau               would               have               eventually               used               3D               technology               in               his               ocean               documentaries,               it               only               took               the               improvement               of               3D               effects               and               the               advent               of               CGI               to               make               the               Mantellos               head               that               direction.
               Most               oceanographers,               even               to               this               day,               probably               wouldn't               want               to               get               into               the               world               of               CGI               because               of               its               seeming               superficiality.

The               Mantellos,               though,               must               have               thought               the               worlds               of               CGI               and               3D               could               eventually               and               realistically               consolidate               with               a               nature               documentary.

Whether               that               was               their               initial               aim               for               getting               into               special               effects               at               first               is               unknown.

But               when               they               did,               the               progression               of               their               interest               in               television               producing               and               knowledge               of               CGI               must               have               set               off               a               synapse               in               how               it               could               be               applied               in               showing               our               oceans               in               a               whole               new               way.
               The               ability               to               do               that               wasn't               quite               there               yet               in               the               mid               1990's               when               they               set               out               to               become               leaders               in               using               3D               CGI               on               terra               firma               instead               of               water.

Simulation               rides               were               the               best               testing               grounds               for               what               could               be               possible,               and               their               first               innovation               was               in               designing               3D               simulation               rides               for               the               Luxor               Casino               in               Las               Vegas.

Even               though               Vegas               is               a               valid               place               of               escape               for               many               people,               taking               people               even               farther               away               was               the               Mantello's               own               creation               and               vision,               coming               close               to               virtual               reality               with               the               process's               interactive               capabilities.
               Yet               you               know               a               team               producing               3D               simulation               rides               isn't               going               to               sit               back               and               bank               on               that               without               wanting               to               progress               the               technology.

Ironically,               it               was               the               Mantellos               themselves               who               found               themselves               in               an               underwater               reality               by               finding               a               way               to               take               3D               cameras               down               into               that               world               so               audiences               could               virtually               be               there               with               them.


               ______
               Most               of               us               have               seen               an               IMAX               film               at               least               once               since               the               format               began               in               the               mainstream.

However,               until               2001,               most               of               them               were               films               showing               flight,               space               or               just               occasional               ones               filmed               right               on               the               ground.

When               the               Mantellos               took               their               3D               CGI               advancements               to               the               film               world               in               '01,               their               production               company               3D               Entertainment               was               born               as               well               as               needed               new               territory               to               explore               in               the               IMAX               format.

Their               innovative               3D               cameras               were,               for               the               first               time,               able               to               film               under               our               oceans               while               allowing               the               directors               to               spend               time               in               the               environment               they               always               wanted               to               be.
               This               isn't               to               say               that               taking               a               camera               designed               for               IMAX               screens               wasn't               equivalent               to               taking               the               weight               of               a               submarine               down               with               you.

The               Mantellos               nevertheless               created               the               cameras               in               a               way               that               wasn't               a               burden               or               impossible               to               manage               as               it               was               before               in               getting               IMAX               footage               underwater.

Adding               3D               to               the               process               would               also               help               the               general               viewer               appreciate               what's               hidden               in               the               ocean's               depths               if               perhaps               not               swayed               into               catching               an               occasional               underwater               documentary               on               TV.
               The               Mantello's               first               three               films,               "Ocean               Wonderland               3D",               "Sharks               3D"               and               "Whales               &               Dolphins               3D"               played               on               hundreds               of               IMAX               screens               in               the               modern               3D               format               through               the               2000's.

The               latter               two               films               arguably               helped               enhance               the               recent               interest               in               sharks,               whales               and               dolphins               to               the               point               where               every               underwater               documentary               you               see               on               TV               of               late               consists               of               either               one               of               the               three.
               All               of               these               films               worked               because               of               an               orderly               relationship               between               the               Mantellos               and               their               production               relationship               with               Jacques               Cousteau's               son,               Jean-Michel               that               developed               in               recent               years.

Unlike               many               past               brotherly               partnerships               in               the               arts               that               consisted               of               sometimes               violent               rivalry,               these               brothers               work               well               together               with               Jean-Jacques               doing               the               directing               and               Francois               doing               the               writing.

But               as               much               as               their               earlier               films               have               entertained               millions,               their               names               might               not               be               quite               as               well               known               yet               due               to               Jean-Michel               Cousteau's               name               usually               being               at               the               top               of               the               movie               posters.

That               might               change               when               Disneynature               releases               their               next               film               in               2011.
               With               "OceanWorld               3D",               you'll               be               seeing               why               the               Mantellos               are               an               important               part               of               filmmaking               today.

This               film               has               a               plot               of               a               sea               turtle               making               his               way               through               an               ocean               without               any               manipulation               of               action               as               you               might               have               seen               in               Disney's               classics               of               yore,               "True-Life               Adventures."               And               the               fact               that               it'll               be               in               IMAX               3D               once               again               should               incite               a               lot               of               little               kids               to               become               oceanographers               or               merely               placing               more               interest               in               their               minds               of               what               the               world's               oceans               have               to               offer.
               If               rudimentary               underwater               footage               from               Jacques               Cousteau               forty               years               ago               could               inspire               two               brothers               from               France,               there               shouldn't               be               any               question               a               powerful               IMAX               3D               film               about               our               oceans               will               influence               enough               casual               viewers               to               fully               awaken               them               to               parts               of               Earth's               riches               we               haven't               been               paying               attention               to.
               Sources:
               Thanks               to               Brian               McWilliams               of               Spelling               Communications               in               Los               Angeles               for               supplying               information               on               the               Mantello               Brothers
               http://www.imdb.com/title/tt1249415/






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