About '3d tv led'|Samsung 3D LED TV Launch @ KLCC

About '3d tv led'|Samsung 3D LED TV Launch @ KLCC

Ｗｈｅｎ               ｗｅ               ｐｉｃｔｕｒｅ               ｕｎｄｅｒｗａｔｅｒ               ｃｉｎｅｍａｔｏｇｒａｐｈｙ,               ｗｅ               ａｕｔｏｍａｔｉｃａｌｌｙ               ｇｒａｖｉｔａｔｅ               ｔｏ               ｔｈｅ               ｏｌｄ               ｎａｔｕｒｅ               ｄｏｃｕｍｅｎｔａｒｉｅｓ               ｐｒｏｄｕｃｅｄ               ｂｙ               ｌｅｇｅｎｄａｒｙ               ｏｃｅａｎｏｇｒａｐｈｅｒ               Ｊａｃｑｕｅｓ               Ｃｏｕｓｔｅａｕ               ｉｎ               ｄｅｃａｄｅｓ               ｌｏｎｇ               ｂｅｆｏｒｅ               ｔｈｅ               ａｇｅ               ｏｆ               ＣＧＩ. Ｃｏｕｓｔｅａｕ'ｓ               ｈｅｙｄａｙ               ａｌｓｏ               ｃａｍｅ               ａｆｔｅｒ               ａｎ               ｉｎｉｔｉａｌ               ｃｒａｚｅ               ｏｆ               3Ｄ               ｉｎ               ｍｏｖｉｅｓ               ｄｕｒｉｎｇ               ｔｈｅ               1950'ｓ               ｗｈｅｎ               ｔｈｅ               ｏｎｌｙ               ｔｈｉｎｇ               ｃｌｏｓｅｓｔ               ｔｏ               ｕｎｄｅｒｗａｔｅｒ               ｃｉｎｅｍａｔｏｇｒａｐｈｙ               ｉｎ               3Ｄ               ｗａｓ               1954'ｓ               ｓｏ-ｂａｄ-ｉｔ'ｓ-ｇｏｏｄ               "Ｃｒｅａｔｕｒｅ               ｆｒｏｍ               ｔｈｅ               Ｂｌａｃｋ               Ｌａｇｏｏｎ"               ａｎｄ               ｉｔｓ               ｓｏ-ｂａｄ-ｉｔ'ｓ-ｂａｄ               ｓｅｑｕｅｌ. Ａｆｔｅｒ               ｔｈｅ               ｂａｓｉｃ               3Ｄ               ｃｏｎｃｅｐｔ               ｒａｎ               ｉｔｓ               ｃｏｕｒｓｅ               ａｎｄ               ｃａｕｓｅｄ               ｍｉｌｌｉｏｎｓ               ｏｆ               ｈｅａｄａｃｈｅｓ               ｉｎ               ｔｈｅ               ｐｒｏｃｅｓｓ,               ｄｏｃｕｍｅｎｔａｒｉａｎｓ               ｏｆ               ｎａｔｕｒｅ               ｗｅｒｅｎ'ｔ               ａｂｏｕｔ               ｔｏ               ｓｐｅｎｄ               ｅｘｔｒａ               ｍｏｎｅｙ               ｔｏ               ｓｈｏｗ               Ｅａｒｔｈｌｙ               ｂｅａｕｔｙ               ｉｎ               ａｎ               ａｒｃｈａｉｃ               ｆｉｌｍ               ｐｒｏｃｅｓｓ. Ｉｔ               ｗａｓｎ'ｔ               ｕｎｔｉｌ               ｙｅａｒｓ               ｌａｔｅｒ               ｉｎ               ｔｈｅ               ｍｉｄ               1990'ｓ               ｗｈｅｎ               ＣＧＩ               ｓｔａｒｔｅｄ               ｔａｋｉｎｇ               ａ               ｆｌｙｉｎｇ               ｌｅａｐ               ｆｏｒｗａｒｄ               ｄｉｄ               ｔｗｏ               Ｆｒｅｎｃｈ               ｆｉｌｍｍａｋｉｎｇ               ｂｒｏｔｈｅｒｓ               ｂｙ               ｔｈｅ               ｎａｍｅ               ｏｆ               Ｍａｎｔｅｌｌｏ               ｄｅｃｉｄｅ               ｔｏ               ｂｅ               ａｈｅａｄ               ｏｆ               ｔｈｅ               ｈｅｒｄ               ａｎｄ               ｂｒｉｎｇ               3Ｄ               ｔｏ               ｎａｔｕｒｅ               ｄｏｃｕｍｅｎｔａｒｉｅｓ.                Ｔｈｅｒｅ               ｓｈｏｕｌｄｎ'ｔ               ｂｅ               ａｎｙ               ｓｕｒｐｒｉｓｅ               ｔｈａｔ               Ｆｒｅｎｃｈ               ｆｉｌｍｍａｋｅｒｓ               ｄｅｌｖｅｄ               ｉｎｔｏ               ｓｕｃｈ               ｔｅｃｈｎｏｌｏｇｙ               ｃｏｎｓｉｄｅｒｉｎｇ               Ｆｒａｎｃｅ               ｈａｓ               ａｌｗａｙｓ               ｔａｋｅｎ               ｆｉｌｍ               ｔｏ               ｎｅｗ               ｌｅｖｅｌｓ               ｙｅａｒｓ               ｂｅｆｏｒｅ               ｔｈｅ               Ｕ.Ｓ. ｉｎｅｖｉｔａｂｌｙ               ｃｏｐｉｅｄ               ｉｔ. Ｔｈｅｒｅ               ｗａｓ               ａｌｓｏ               ａｎ               ｉｎｅｖｉｔａｂｌｅ               ｃｏｎｎｅｃｔｉｏｎ               ｏｆ               ｔｈｅｓｅ               ｂｒｏｔｈｅｒｓ               (Ｆｒａｎｃｏｉｓ               ａｎｄ               Ｊｅａｎ-Ｊａｃｑｕｅｓ)               ｔｏ               Ｊａｃｑｕｅｓ               Ｃｏｕｓｔｅａｕ'ｓ               ｃｅｌｅｂｒａｔｅｄ               ｄｏｃｕｍｅｎｔａｒｉｅｓ               ｏｎ               ｏｕｒ               ｗｏｒｌｄ'ｓ               ｏｃｅａｎｓ               ｔｈａｔ               ｅｖｅｎｔｕａｌｌｙ               ｌｅｄ               ｔｏ               ａ               ｐｒｏｄｕｃｔｉｏｎ               ｒｅｌａｔｉｏｎｓｈｉｐ               ｗｉｔｈ               Ｃｏｕｓｔｅａｕ'ｓ               ｓｏｎ. Ｗｈｉｌｅ               ｉｔ'ｓ               ｄｅｂａｔａｂｌｅ               ｗｈｅｔｈｅｒ               Ｊａｃｑｕｅｓ               Ｃｏｕｓｔｅａｕ               ｗｏｕｌｄ               ｈａｖｅ               ｅｖｅｎｔｕａｌｌｙ               ｕｓｅｄ               3Ｄ               ｔｅｃｈｎｏｌｏｇｙ               ｉｎ               ｈｉｓ               ｏｃｅａｎ               ｄｏｃｕｍｅｎｔａｒｉｅｓ,               ｉｔ               ｏｎｌｙ               ｔｏｏｋ               ｔｈｅ               ｉｍｐｒｏｖｅｍｅｎｔ               ｏｆ               3Ｄ               ｅｆｆｅｃｔｓ               ａｎｄ               ｔｈｅ               ａｄｖｅｎｔ               ｏｆ               ＣＧＩ               ｔｏ               ｍａｋｅ               ｔｈｅ               Ｍａｎｔｅｌｌｏｓ               ｈｅａｄ               ｔｈａｔ               ｄｉｒｅｃｔｉｏｎ.                Ｍｏｓｔ               ｏｃｅａｎｏｇｒａｐｈｅｒｓ,               ｅｖｅｎ               ｔｏ               ｔｈｉｓ               ｄａｙ,               ｐｒｏｂａｂｌｙ               ｗｏｕｌｄｎ'ｔ               ｗａｎｔ               ｔｏ               ｇｅｔ               ｉｎｔｏ               ｔｈｅ               ｗｏｒｌｄ               ｏｆ               ＣＧＩ               ｂｅｃａｕｓｅ               ｏｆ               ｉｔｓ               ｓｅｅｍｉｎｇ               ｓｕｐｅｒｆｉｃｉａｌｉｔｙ. Ｔｈｅ               Ｍａｎｔｅｌｌｏｓ,               ｔｈｏｕｇｈ,               ｍｕｓｔ               ｈａｖｅ               ｔｈｏｕｇｈｔ               ｔｈｅ               ｗｏｒｌｄｓ               ｏｆ               ＣＧＩ               ａｎｄ               3Ｄ               ｃｏｕｌｄ               ｅｖｅｎｔｕａｌｌｙ               ａｎｄ               ｒｅａｌｉｓｔｉｃａｌｌｙ               ｃｏｎｓｏｌｉｄａｔｅ               ｗｉｔｈ               ａ               ｎａｔｕｒｅ               ｄｏｃｕｍｅｎｔａｒｙ. Ｗｈｅｔｈｅｒ               ｔｈａｔ               ｗａｓ               ｔｈｅｉｒ               ｉｎｉｔｉａｌ               ａｉｍ               ｆｏｒ               ｇｅｔｔｉｎｇ               ｉｎｔｏ               ｓｐｅｃｉａｌ               ｅｆｆｅｃｔｓ               ａｔ               ｆｉｒｓｔ               ｉｓ               ｕｎｋｎｏｗｎ. Ｂｕｔ               ｗｈｅｎ               ｔｈｅｙ               ｄｉｄ,               ｔｈｅ               ｐｒｏｇｒｅｓｓｉｏｎ               ｏｆ               ｔｈｅｉｒ               ｉｎｔｅｒｅｓｔ               ｉｎ               ｔｅｌｅｖｉｓｉｏｎ               ｐｒｏｄｕｃｉｎｇ               ａｎｄ               ｋｎｏｗｌｅｄｇｅ               ｏｆ               ＣＧＩ               ｍｕｓｔ               ｈａｖｅ               ｓｅｔ               ｏｆｆ               ａ               ｓｙｎａｐｓｅ               ｉｎ               ｈｏｗ               ｉｔ               ｃｏｕｌｄ               ｂｅ               ａｐｐｌｉｅｄ               ｉｎ               ｓｈｏｗｉｎｇ               ｏｕｒ               ｏｃｅａｎｓ               ｉｎ               ａ               ｗｈｏｌｅ               ｎｅｗ               ｗａｙ.                Ｔｈｅ               ａｂｉｌｉｔｙ               ｔｏ               ｄｏ               ｔｈａｔ               ｗａｓｎ'ｔ               ｑｕｉｔｅ               ｔｈｅｒｅ               ｙｅｔ               ｉｎ               ｔｈｅ               ｍｉｄ               1990'ｓ               ｗｈｅｎ               ｔｈｅｙ               ｓｅｔ               ｏｕｔ               ｔｏ               ｂｅｃｏｍｅ               ｌｅａｄｅｒｓ               ｉｎ               ｕｓｉｎｇ               3Ｄ               ＣＧＩ               ｏｎ               ｔｅｒｒａ               ｆｉｒｍａ               ｉｎｓｔｅａｄ               ｏｆ               ｗａｔｅｒ. Ｓｉｍｕｌａｔｉｏｎ               ｒｉｄｅｓ               ｗｅｒｅ               ｔｈｅ               ｂｅｓｔ               ｔｅｓｔｉｎｇ               ｇｒｏｕｎｄｓ               ｆｏｒ               ｗｈａｔ               ｃｏｕｌｄ               ｂｅ               ｐｏｓｓｉｂｌｅ,               ａｎｄ               ｔｈｅｉｒ               ｆｉｒｓｔ               ｉｎｎｏｖａｔｉｏｎ               ｗａｓ               ｉｎ               ｄｅｓｉｇｎｉｎｇ               3Ｄ               ｓｉｍｕｌａｔｉｏｎ               ｒｉｄｅｓ               ｆｏｒ               ｔｈｅ               Ｌｕｘｏｒ               Ｃａｓｉｎｏ               ｉｎ               Ｌａｓ               Ｖｅｇａｓ. Ｅｖｅｎ               ｔｈｏｕｇｈ               Ｖｅｇａｓ               ｉｓ               ａ               ｖａｌｉｄ               ｐｌａｃｅ               ｏｆ               ｅｓｃａｐｅ               ｆｏｒ               ｍａｎｙ               ｐｅｏｐｌｅ,               ｔａｋｉｎｇ               ｐｅｏｐｌｅ               ｅｖｅｎ               ｆａｒｔｈｅｒ               ａｗａｙ               ｗａｓ               ｔｈｅ               Ｍａｎｔｅｌｌｏ'ｓ               ｏｗｎ               ｃｒｅａｔｉｏｎ               ａｎｄ               ｖｉｓｉｏｎ,               ｃｏｍｉｎｇ               ｃｌｏｓｅ               ｔｏ               ｖｉｒｔｕａｌ               ｒｅａｌｉｔｙ               ｗｉｔｈ               ｔｈｅ               ｐｒｏｃｅｓｓ'ｓ               ｉｎｔｅｒａｃｔｉｖｅ               ｃａｐａｂｉｌｉｔｉｅｓ.                Ｙｅｔ               ｙｏｕ               ｋｎｏｗ               ａ               ｔｅａｍ               ｐｒｏｄｕｃｉｎｇ               3Ｄ               ｓｉｍｕｌａｔｉｏｎ               ｒｉｄｅｓ               ｉｓｎ'ｔ               ｇｏｉｎｇ               ｔｏ               ｓｉｔ               ｂａｃｋ               ａｎｄ               ｂａｎｋ               ｏｎ               ｔｈａｔ               ｗｉｔｈｏｕｔ               ｗａｎｔｉｎｇ               ｔｏ               ｐｒｏｇｒｅｓｓ               ｔｈｅ               ｔｅｃｈｎｏｌｏｇｙ. Ｉｒｏｎｉｃａｌｌｙ,               ｉｔ               ｗａｓ               ｔｈｅ               Ｍａｎｔｅｌｌｏｓ               ｔｈｅｍｓｅｌｖｅｓ               ｗｈｏ               ｆｏｕｎｄ               ｔｈｅｍｓｅｌｖｅｓ               ｉｎ               ａｎ               ｕｎｄｅｒｗａｔｅｒ               ｒｅａｌｉｔｙ               ｂｙ               ｆｉｎｄｉｎｇ               ａ               ｗａｙ               ｔｏ               ｔａｋｅ               3Ｄ               ｃａｍｅｒａｓ               ｄｏｗｎ               ｉｎｔｏ               ｔｈａｔ               ｗｏｒｌｄ               ｓｏ               ａｕｄｉｅｎｃｅｓ               ｃｏｕｌｄ               ｖｉｒｔｕａｌｌｙ               ｂｅ               ｔｈｅｒｅ               ｗｉｔｈ               ｔｈｅｍ.                ______                Ｍｏｓｔ               ｏｆ               ｕｓ               ｈａｖｅ               ｓｅｅｎ               ａｎ               ＩＭＡＸ               ｆｉｌｍ               ａｔ               ｌｅａｓｔ               ｏｎｃｅ               ｓｉｎｃｅ               ｔｈｅ               ｆｏｒｍａｔ               ｂｅｇａｎ               ｉｎ               ｔｈｅ               ｍａｉｎｓｔｒｅａｍ. Ｈｏｗｅｖｅｒ,               ｕｎｔｉｌ               2001,               ｍｏｓｔ               ｏｆ               ｔｈｅｍ               ｗｅｒｅ               ｆｉｌｍｓ               ｓｈｏｗｉｎｇ               ｆｌｉｇｈｔ,               ｓｐａｃｅ               ｏｒ               ｊｕｓｔ               ｏｃｃａｓｉｏｎａｌ               ｏｎｅｓ               ｆｉｌｍｅｄ               ｒｉｇｈｔ               ｏｎ               ｔｈｅ               ｇｒｏｕｎｄ. Ｗｈｅｎ               ｔｈｅ               Ｍａｎｔｅｌｌｏｓ               ｔｏｏｋ               ｔｈｅｉｒ               3Ｄ               ＣＧＩ               ａｄｖａｎｃｅｍｅｎｔｓ               ｔｏ               ｔｈｅ               ｆｉｌｍ               ｗｏｒｌｄ               ｉｎ               '01,               ｔｈｅｉｒ               ｐｒｏｄｕｃｔｉｏｎ               ｃｏｍｐａｎｙ               3Ｄ               Ｅｎｔｅｒｔａｉｎｍｅｎｔ               ｗａｓ               ｂｏｒｎ               ａｓ               ｗｅｌｌ               ａｓ               ｎｅｅｄｅｄ               ｎｅｗ               ｔｅｒｒｉｔｏｒｙ               ｔｏ               ｅｘｐｌｏｒｅ               ｉｎ               ｔｈｅ               ＩＭＡＸ               ｆｏｒｍａｔ. Ｔｈｅｉｒ               ｉｎｎｏｖａｔｉｖｅ               3Ｄ               ｃａｍｅｒａｓ               ｗｅｒｅ,               ｆｏｒ               ｔｈｅ               ｆｉｒｓｔ               ｔｉｍｅ,               ａｂｌｅ               ｔｏ               ｆｉｌｍ               ｕｎｄｅｒ               ｏｕｒ               ｏｃｅａｎｓ               ｗｈｉｌｅ               ａｌｌｏｗｉｎｇ               ｔｈｅ               ｄｉｒｅｃｔｏｒｓ               ｔｏ               ｓｐｅｎｄ               ｔｉｍｅ               ｉｎ               ｔｈｅ               ｅｎｖｉｒｏｎｍｅｎｔ               ｔｈｅｙ               ａｌｗａｙｓ               ｗａｎｔｅｄ               ｔｏ               ｂｅ.                Ｔｈｉｓ               ｉｓｎ'ｔ               ｔｏ               ｓａｙ               ｔｈａｔ               ｔａｋｉｎｇ               ａ               ｃａｍｅｒａ               ｄｅｓｉｇｎｅｄ               ｆｏｒ               ＩＭＡＸ               ｓｃｒｅｅｎｓ               ｗａｓｎ'ｔ               ｅｑｕｉｖａｌｅｎｔ               ｔｏ               ｔａｋｉｎｇ               ｔｈｅ               ｗｅｉｇｈｔ               ｏｆ               ａ               ｓｕｂｍａｒｉｎｅ               ｄｏｗｎ               ｗｉｔｈ               ｙｏｕ. Ｔｈｅ               Ｍａｎｔｅｌｌｏｓ               ｎｅｖｅｒｔｈｅｌｅｓｓ               ｃｒｅａｔｅｄ               ｔｈｅ               ｃａｍｅｒａｓ               ｉｎ               ａ               ｗａｙ               ｔｈａｔ               ｗａｓｎ'ｔ               ａ               ｂｕｒｄｅｎ               ｏｒ               ｉｍｐｏｓｓｉｂｌｅ               ｔｏ               ｍａｎａｇｅ               ａｓ               ｉｔ               ｗａｓ               ｂｅｆｏｒｅ               ｉｎ               ｇｅｔｔｉｎｇ               ＩＭＡＸ               ｆｏｏｔａｇｅ               ｕｎｄｅｒｗａｔｅｒ. Ａｄｄｉｎｇ               3Ｄ               ｔｏ               ｔｈｅ               ｐｒｏｃｅｓｓ               ｗｏｕｌｄ               ａｌｓｏ               ｈｅｌｐ               ｔｈｅ               ｇｅｎｅｒａｌ               ｖｉｅｗｅｒ               ａｐｐｒｅｃｉａｔｅ               ｗｈａｔ'ｓ               ｈｉｄｄｅｎ               ｉｎ               ｔｈｅ               ｏｃｅａｎ'ｓ               ｄｅｐｔｈｓ               ｉｆ               ｐｅｒｈａｐｓ               ｎｏｔ               ｓｗａｙｅｄ               ｉｎｔｏ               ｃａｔｃｈｉｎｇ               ａｎ               ｏｃｃａｓｉｏｎａｌ               ｕｎｄｅｒｗａｔｅｒ               ｄｏｃｕｍｅｎｔａｒｙ               ｏｎ               ＴＶ.                Ｔｈｅ               Ｍａｎｔｅｌｌｏ'ｓ               ｆｉｒｓｔ               ｔｈｒｅｅ               ｆｉｌｍｓ,               "Ｏｃｅａｎ               Ｗｏｎｄｅｒｌａｎｄ               3Ｄ",               "Ｓｈａｒｋｓ               3Ｄ"               ａｎｄ               "Ｗｈａｌｅｓ               &               Ｄｏｌｐｈｉｎｓ               3Ｄ"               ｐｌａｙｅｄ               ｏｎ               ｈｕｎｄｒｅｄｓ               ｏｆ               ＩＭＡＸ               ｓｃｒｅｅｎｓ               ｉｎ               ｔｈｅ               ｍｏｄｅｒｎ               3Ｄ               ｆｏｒｍａｔ               ｔｈｒｏｕｇｈ               ｔｈｅ               2000'ｓ. Ｔｈｅ               ｌａｔｔｅｒ               ｔｗｏ               ｆｉｌｍｓ               ａｒｇｕａｂｌｙ               ｈｅｌｐｅｄ               ｅｎｈａｎｃｅ               ｔｈｅ               ｒｅｃｅｎｔ               ｉｎｔｅｒｅｓｔ               ｉｎ               ｓｈａｒｋｓ,               ｗｈａｌｅｓ               ａｎｄ               ｄｏｌｐｈｉｎｓ               ｔｏ               ｔｈｅ               ｐｏｉｎｔ               ｗｈｅｒｅ               ｅｖｅｒｙ               ｕｎｄｅｒｗａｔｅｒ               ｄｏｃｕｍｅｎｔａｒｙ               ｙｏｕ               ｓｅｅ               ｏｎ               ＴＶ               ｏｆ               ｌａｔｅ               ｃｏｎｓｉｓｔｓ               ｏｆ               ｅｉｔｈｅｒ               ｏｎｅ               ｏｆ               ｔｈｅ               ｔｈｒｅｅ.                Ａｌｌ               ｏｆ               ｔｈｅｓｅ               ｆｉｌｍｓ               ｗｏｒｋｅｄ               ｂｅｃａｕｓｅ               ｏｆ               ａｎ               ｏｒｄｅｒｌｙ               ｒｅｌａｔｉｏｎｓｈｉｐ               ｂｅｔｗｅｅｎ               ｔｈｅ               Ｍａｎｔｅｌｌｏｓ               ａｎｄ               ｔｈｅｉｒ               ｐｒｏｄｕｃｔｉｏｎ               ｒｅｌａｔｉｏｎｓｈｉｐ               ｗｉｔｈ               Ｊａｃｑｕｅｓ               Ｃｏｕｓｔｅａｕ'ｓ               ｓｏｎ,               Ｊｅａｎ-Ｍｉｃｈｅｌ               ｔｈａｔ               ｄｅｖｅｌｏｐｅｄ               ｉｎ               ｒｅｃｅｎｔ               ｙｅａｒｓ. Ｕｎｌｉｋｅ               ｍａｎｙ               ｐａｓｔ               ｂｒｏｔｈｅｒｌｙ               ｐａｒｔｎｅｒｓｈｉｐｓ               ｉｎ               ｔｈｅ               ａｒｔｓ               ｔｈａｔ               ｃｏｎｓｉｓｔｅｄ               ｏｆ               ｓｏｍｅｔｉｍｅｓ               ｖｉｏｌｅｎｔ               ｒｉｖａｌｒｙ,               ｔｈｅｓｅ               ｂｒｏｔｈｅｒｓ               ｗｏｒｋ               ｗｅｌｌ               ｔｏｇｅｔｈｅｒ               ｗｉｔｈ               Ｊｅａｎ-Ｊａｃｑｕｅｓ               ｄｏｉｎｇ               ｔｈｅ               ｄｉｒｅｃｔｉｎｇ               ａｎｄ               Ｆｒａｎｃｏｉｓ               ｄｏｉｎｇ               ｔｈｅ               ｗｒｉｔｉｎｇ. Ｂｕｔ               ａｓ               ｍｕｃｈ               ａｓ               ｔｈｅｉｒ               ｅａｒｌｉｅｒ               ｆｉｌｍｓ               ｈａｖｅ               ｅｎｔｅｒｔａｉｎｅｄ               ｍｉｌｌｉｏｎｓ,               ｔｈｅｉｒ               ｎａｍｅｓ               ｍｉｇｈｔ               ｎｏｔ               ｂｅ               ｑｕｉｔｅ               ａｓ               ｗｅｌｌ               ｋｎｏｗｎ               ｙｅｔ               ｄｕｅ               ｔｏ               Ｊｅａｎ-Ｍｉｃｈｅｌ               Ｃｏｕｓｔｅａｕ'ｓ               ｎａｍｅ               ｕｓｕａｌｌｙ               ｂｅｉｎｇ               ａｔ               ｔｈｅ               ｔｏｐ               ｏｆ               ｔｈｅ               ｍｏｖｉｅ               ｐｏｓｔｅｒｓ. Ｔｈａｔ               ｍｉｇｈｔ               ｃｈａｎｇｅ               ｗｈｅｎ               Ｄｉｓｎｅｙｎａｔｕｒｅ               ｒｅｌｅａｓｅｓ               ｔｈｅｉｒ               ｎｅｘｔ               ｆｉｌｍ               ｉｎ               2011.                Ｗｉｔｈ               "ＯｃｅａｎＷｏｒｌｄ               3Ｄ",               ｙｏｕ'ｌｌ               ｂｅ               ｓｅｅｉｎｇ               ｗｈｙ               ｔｈｅ               Ｍａｎｔｅｌｌｏｓ               ａｒｅ               ａｎ               ｉｍｐｏｒｔａｎｔ               ｐａｒｔ               ｏｆ               ｆｉｌｍｍａｋｉｎｇ               ｔｏｄａｙ. Ｔｈｉｓ               ｆｉｌｍ               ｈａｓ               ａ               ｐｌｏｔ               ｏｆ               ａ               ｓｅａ               ｔｕｒｔｌｅ               ｍａｋｉｎｇ               ｈｉｓ               ｗａｙ               ｔｈｒｏｕｇｈ               ａｎ               ｏｃｅａｎ               ｗｉｔｈｏｕｔ               ａｎｙ               ｍａｎｉｐｕｌａｔｉｏｎ               ｏｆ               ａｃｔｉｏｎ               ａｓ               ｙｏｕ               ｍｉｇｈｔ               ｈａｖｅ               ｓｅｅｎ               ｉｎ               Ｄｉｓｎｅｙ'ｓ               ｃｌａｓｓｉｃｓ               ｏｆ               ｙｏｒｅ,               "Ｔｒｕｅ-Ｌｉｆｅ               Ａｄｖｅｎｔｕｒｅｓ."               Ａｎｄ               ｔｈｅ               ｆａｃｔ               ｔｈａｔ               ｉｔ'ｌｌ               ｂｅ               ｉｎ               ＩＭＡＸ               3Ｄ               ｏｎｃｅ               ａｇａｉｎ               ｓｈｏｕｌｄ               ｉｎｃｉｔｅ               ａ               ｌｏｔ               ｏｆ               ｌｉｔｔｌｅ               ｋｉｄｓ               ｔｏ               ｂｅｃｏｍｅ               ｏｃｅａｎｏｇｒａｐｈｅｒｓ               ｏｒ               ｍｅｒｅｌｙ               ｐｌａｃｉｎｇ               ｍｏｒｅ               ｉｎｔｅｒｅｓｔ               ｉｎ               ｔｈｅｉｒ               ｍｉｎｄｓ               ｏｆ               ｗｈａｔ               ｔｈｅ               ｗｏｒｌｄ'ｓ               ｏｃｅａｎｓ               ｈａｖｅ               ｔｏ               ｏｆｆｅｒ.                Ｉｆ               ｒｕｄｉｍｅｎｔａｒｙ               ｕｎｄｅｒｗａｔｅｒ               ｆｏｏｔａｇｅ               ｆｒｏｍ               Ｊａｃｑｕｅｓ               Ｃｏｕｓｔｅａｕ               ｆｏｒｔｙ               ｙｅａｒｓ               ａｇｏ               ｃｏｕｌｄ               ｉｎｓｐｉｒｅ               ｔｗｏ               ｂｒｏｔｈｅｒｓ               ｆｒｏｍ               Ｆｒａｎｃｅ,               ｔｈｅｒｅ               ｓｈｏｕｌｄｎ'ｔ               ｂｅ               ａｎｙ               ｑｕｅｓｔｉｏｎ               ａ               ｐｏｗｅｒｆｕｌ               ＩＭＡＸ               3Ｄ               ｆｉｌｍ               ａｂｏｕｔ               ｏｕｒ               ｏｃｅａｎｓ               ｗｉｌｌ               ｉｎｆｌｕｅｎｃｅ               ｅｎｏｕｇｈ               ｃａｓｕａｌ               ｖｉｅｗｅｒｓ               ｔｏ               ｆｕｌｌｙ               ａｗａｋｅｎ               ｔｈｅｍ               ｔｏ               ｐａｒｔｓ               ｏｆ               Ｅａｒｔｈ'ｓ               ｒｉｃｈｅｓ               ｗｅ               ｈａｖｅｎ'ｔ               ｂｅｅｎ               ｐａｙｉｎｇ               ａｔｔｅｎｔｉｏｎ               ｔｏ.                Ｓｏｕｒｃｅｓ:                Ｔｈａｎｋｓ               ｔｏ               Ｂｒｉａｎ               ＭｃＷｉｌｌｉａｍｓ               ｏｆ               Ｓｐｅｌｌｉｎｇ               Ｃｏｍｍｕｎｉｃａｔｉｏｎｓ               ｉｎ               Ｌｏｓ               Ａｎｇｅｌｅｓ               ｆｏｒ               ｓｕｐｐｌｙｉｎｇ               ｉｎｆｏｒｍａｔｉｏｎ               ｏｎ               ｔｈｅ               Ｍａｎｔｅｌｌｏ               Ｂｒｏｔｈｅｒｓ                ｈｔｔｐ://ｗｗｗ.ｉｍｄｂ.ｃｏｍ/ｔｉｔｌｅ/ｔｔ1249415/

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Ｓｈｅ               ｓｌｏｗｌｙ               ｌｅｔｓ               ｈｅｒ               ｇｕａｒｄ               ｄｏｗｎ               ａｎｄ               ｓｕｃｃｕｍｂｓ               ｔｏ               ｈｉｓ               ｈａｎｄｓｏｍｅ               ｄｅｍｅａｎｏｒ.                Ｍｉｌｔｏｎ               ｉｓ               ａ               ｓｅｒｇｅａｎｔ               ｗｈｏ               ｈａｔｅｓ               ｏｆｆｉｃｅｒｓ               ａｎｄ               ｏｎｅ               ｄａｙ               ｍｅｅｔｓ               Ｋａｒｅｎ               ｔｈｅ               ｗｉｆｅ               ｏｆ               ｈｉｓ               ｂｏｓｓ. Ｓｈｅ               ｉｓ               ｋｎｏｗｎ               ａｓ               ｔｈｅ               ｗｏｍａｎ               ｗｈｏ               ｓｌｅｅｐｓ               ｗｉｔｈ               ｏｆｆｉｃｅｒｓ. Ｔｈｅｉｒ               ａｔｔｒａｃｔｉｏｎ               ｆｏｒ               ｅａｃｈ               ｏｔｈｅｒ               ｉｓ               ｅｌｅｃｔｒｉｆｙｉｎｇ. Ｔｈｅｙ               ｓｏｏｎ               ｂｅｇｉｎ               ａ               ｌｏｖｅ               ａｆｆａｉｒ               ｔｈａｔ               ｃｏｎｓｕｍｅｓ               ｔｈｅｍ. Ｔｈｅ               ｆａｍｏｕｓ               ｓｃｅｎｅ               ｏｎ               ｔｈａｔ               ｂｅａｃｈ               ｗｉｔｈ               ｔｈｅ               ｗａｖｅｓ               ｈｉｔｔｉｎｇ               ｔｈｅｉｒ               ｂｏｄｉｅｓ               ｉｓ               ａ               ｒｅｖｅｌａｔｉｏｎ               ｔｏ               ｓｅｅ. Ｔｈｅｉｒ               ｌｏｖｅ               ｉｓ               ｐａｓｓｉｏｎａｔｅ               ｂｅｙｏｎｄ               ａｎｙｔｈｉｎｇ               ｔｈａｔ               ｅｉｔｈｅｒ               ｎｅｖｅｒ               ｉｍａｇｉｎｅｄ. Ｙｅｓ,               ｉｔ               ｉｓ               ｗｒｏｎｇ               ｂｅｃａｕｓｅ               ｓｈｅ               ｉｓ               ｍａｒｒｉｅｄ               ａｎｄ               ｙｅｓ               ｔｈｅｙ               ｔｒｙ               ｔｏ               ｆｉｎｄ               ａ               ｗａｙ               ｔｏ               ｂｅ               ｔｏｇｅｔｈｅｒ. Ｅｖｅｎ               ｗｈｅｎ               ｔｈｅｙ               ａｒｇｕｅ               ｔｈｅｉｒ               ｌｏｖｅ               ｅｎｇｕｌｆｓ               ｔｈｅｍ. Ｔｈｅｙ               ａｒｅ               ｍｉｓｅｒａｂｌｅ               ａｎｄ               ｈａｐｐｙ               ａｎｄ               ｍｉｓｅｒａｂｌｅ               ａｔ               ｔｈｅｉｒ               ｓｉｔｕａｔｉｏｎ.                Ｍａｇｇｉｏ               ｉｓ               ｔｈｅ               ｂｅｓｔ               ｆｒｉｅｎｄ               ｗｈｏ               ｃｏｎｎｅｃｔｓ               ｗｉｔｈ               ｔｈｅ               ｌｉｖｅｓ               ｏｆ               Ｐｒｅｗｉｔｔ               ａｎｄ               Ｍｉｌｔｏｎ. Ｔｈｅｙ               ｄｒｉｎｋ,               ｌａｕｇｈ               ａｎｄ               ｆｉｇｈｔ               ｔｏｇｅｔｈｅｒ               ｏｎ               ｔｈｅ               ｂａｓｅ               ａｎｄ               ｉｎ               ｎｉｇｈｔｃｌｕｂｓ. Ｔｈｅｉｒ               ｐｌａｙｇｒｏｕｎｄ               ｉｓ               ｔｈｅ               ｅｘｏｔｉｃ               Ｈａｗａｉｉａｎ               ｌｏｃａｌｅ. Ｔｈｅｉｒ               ｌｉｖｅｓ               ａｒｅ               ｆｕｌｌ               ａｎｄ               ｔｒｏｕｂｌｉｎｇ               ａｓ               ｍｏｓｔ               ｌｉｖｅｓ               ｃａｎ               ｂｅ. Ｍａｇｇｉｏ               ｔｈｅｎ               ｌｅａｖｅｓ               ｇｕａｒｄ               ｄｕｔｙ               ａｎｄ               ｉｓ               ｓｅｎｔ               ｔｏ               ｔｈｅ               ｓｔｏｃｋａｄｅ               ｗｈｅｒｅ               ｈｅ               ｍｅｅｔｓ               ｈｉｓ               ｆａｔｅ. Ｔｈｅｉｒ               ｌｉｖｅｓ               ｃｈａｎｇｅ               ｉｎ               ｔｈｅ               ｆｏｌｌｏｗｉｎｇ               ｄａｙｓ               ｗｈｅｎ               ｔｈｅ               Ｊａｐａｎｅｓｅ               ｂｏｍｂ               Ｐｅａｒｌ               Ｈａｒｂｏｒ.                Ｉｎ               ｏｎｅ               ｅａｒｔｈ               ｓｈａｔｔｅｒｉｎｇ               ｍｏｍｅｎｔ               ｔｈｅｉｒ               ｗｈｏｌｅ               ｅｘｉｓｔｅｎｃｅ               ｏｎ               ｔｈａｔ               ａｒｍｙ               ｂａｓｅ               ｓｅｐａｒａｔｅｓ               ｔｈｅｍ               ａｌｌ. Ｔｈｅｉｒ               ｆａｔｅ               ｉｓ               ｓｅａｌｅｄ               ａｓ               ｓｏｍｅ               ｌｉｖｅｓ               ｂｅｇｉｎ               ａｎｄ               ｏｔｈｅｒｓ               ｅｎｄ               ｗｈｅｎ               Ｗｏｒｌｄ               Ｗａｒ               ＩＩ               ｃｏｍｍｅｎｃｅｓ. Ｍｙ               ｆａｖｏｒｉｔｅ               ｓｃｅｎｅ               ｉｎ               ｔｈｅ               ｗｈｏｌｅ               ｍｏｖｉｅ               ｉｓ               ａｔ               ｔｈｅ               ｅｎｄ. Ｋａｒｅｎ               ａｎｄ               Ｌｏｒｅｎｅ               ｍｅｅｔ               ｆｏｒ               ｔｈｅ               ｆｉｒｓｔ               ｔｉｍｅ               ａｓ               ｔｈｅｙ               ｓｔａｎｄ               ｏｎ               ｔｈｅ               ｓｈｉｐ               ｔｈａｔ               ｗｉｌｌ               ｂｒｉｎｇ               ｔｈｅｍ               ｔｏ               ｔｈｅ               Ｕｎｉｔｅｄ               Ｓｔａｔｅｓ. Ｋａｒｅｎ               ｔｈｒｏｗｓ               ｔｗｏ               Ｈａｗａｉｉａｎ               ｌｅｉｓ               ｉｎｔｏ               ｔｈｅ               ｏｃｅａｎ. Ｉｆ               ｔｈｅｙ               ｆｌｏａｔ               ｔｏ               ｓｈｏｒｅ               ｔｈｅｙ               ｗｉｌｌ               ｍｅｅｔ               ｔｈｅｉｒ               ｌｏｖｅｒｓ               ｏｎｃｅ               ｍｏｒｅ. Ｉｆ               ｔｈｅｙ               ｆｌｏａｔ               ｏｕｔ               ｔｏ               ｓｅａ,               ｔｈｅｙ               ｗｏｕｌｄ               ｎｅｖｅｒ               ｓｅｅ               ｔｈｅｍ               ａｇａｉｎ. Ｔｈｅ               ｔｗｏ               ｓｐｅａｋ               ｔｏ               ｅａｃｈ               ｏｔｈｅｒ               ａｎｄ               ｒｅａｌｉｚｅ               ｈｏｗ               ｃｌｏｓｅ               ｔｈｅｙ               ｒｅａｌｌｙ               ｗｅｒｅ               ｔｈｒｏｕｇｈ               Ｐｒｅｗｉｔｔ               ａｎｄ               Ｍｉｌｔｏｎ.                Ｈａｒｒｙ               Ｃｏｈｎ               ｗａｓ               ｔｈｅ               ｈｅａｄ               ｏｆ               ｔｈｅ               ｓｔｕｄｉｏ               Ｃｏｌｕｍｂｉａ               Ｐｉｃｔｕｒｅｓ               ｉｎ               1952. Ｈｅ               ｂｏｕｇｈｔ               ｔｈｅ               ｒｉｇｈｔｓ               ｔｏ               ｔｈｅ               Ｊａｍｅｓ               Ｊｏｎｅｓ               ｎｏｖｅｌ               ａｎｄ               ｗａｎｔｅｄ               ａ               ｇｏｏｄ               ｃａｓｔ               ｆｏｒ               ｔｈｅ               ｆｉｌｍ. Ｈｅ               ｒｅｊｅｃｔｅｄ               ｅｖｅｒｙｏｎｅ               ｅｘｃｅｐｔ               Ｂｕｒｔ               Ｌａｎｃａｓｔｅｒ. Ａｖａ               Ｇａｒｄｎｅｒ               ｗｈｏ               ｗａｓ               ｍａｒｒｉｅｄ               ｔｏ               Ｆｒａｎｋ               Ｓｉｎａｔｒａ               ｃｌａｉｍｓ               ｉｎ               ｈｅｒ               ａｕｔｏｂｉｏｇｒａｐｈｙ               ＡＶＡ:               Ｍｙ               Ｓｔｏｒｙ               1990               ｔｈａｔ               ｓｈｅ               ｐｅｒｓｕａｄｅｄ               Ｈａｒｒｙ               Ｃｏｈｎ               ｔｏ               ｓｃｒｅｅｎ               ｔｅｓｔ               Ｆｒａｎｋ               ｆｏｒ               ｔｈｅ               ｒｏｌｅ               ｏｆ               Ｍａｇｇｉｏ. Ｓｉｎａｔｒａ               ｗａｓ               ｂｙ               ｔｈｅｎ               ａ               ｗａｓｈｅｄ               ｕｐ               ｓｉｎｇｅｒ               ａｎｄ               ｈａｄｎ'ｔ               ｈａｄ               ａ               ｈｉｔ               ｆｉｌｍ               ｉｎ               ｙｅａｒｓ. Ｈｅ               ｌａｎｄｅｄ               ｔｈｅ               ｒｏｌｅ               ａｎｄ               ｗｏｎ               ｔｈｅ               ｂｅｓｔ               ｓｕｐｐｏｒｔｉｎｇ               ａｃｔｏｒ               Ｏｓｃａｒ.                Ｆｒｅｄ               Ｚｉｎｎｅｍａｎ               ｃｌａｉｍｓ               ｉｎ               ｈｉｓ               ｂｏｏｋ               Ａｎ               Ａｕｔｏｂｉｏｇｒａｐｈｙ:               Ａ               ｌｉｆｅ               ｉｎ               ｍｏｖｉｅｓ               1992               ｔｈａｔ               Ｃｏｈｎ               ｈａｔｅｄ               Ｍｏｎｔｇｏｍｅｒｙ               Ｃｌｉｆｔ               ｗｈｏｍ               ｈｅ               ｔｈｏｕｇｈｔ               ｗａｓ               ａ               "ｑｕｅｅｒ."               Ｆｒｅｄ               ｗａｎｔｅｄ               Ｃｌｉｆｔ               ｆｏｒ               ｔｈｅ               ｒｏｌｅ               ｏｆ               Ｐｒｅｗｉｔｔ               ｏｒ               ｈｅ               ｗｏｕｌｄｎ'ｔ               ｄｉｒｅｃｔ               ｔｈｅ               ｆｉｌｍ. Ｃｏｈｎ               ｒｅｌｅｎｔｅｄ               ａｎｄ               ｓｅｎｔ               Ｃｌｉｆｔ               ｔｈｅ               ｓｃｒｉｐｔ               ａｎｄ               ｈｅ               ｎａｂｂｅｄ               ａ               ｂｅｓｔ               ａｃｔｏｒ               Ｏｓｃａｒ               ｎｏｍｉｎａｔｉｏｎ. Ｈｅ               ｌｏｓｔ               ｔｈｅ               ａｗａｒｄ               ｔｏ               Ｗｉｌｌｉａｍ               Ｈｏｌｄｅｎ               ｆｏｒ               ｈｉｓ               ｐｅｒｆｏｒｍａｎｃｅ               ｉｎ               Ｓｔａｌａｇ               17               1953. Ｂｕｒｔ               Ｌａｎｃａｓｔｅｒ               ｗａｓ               ａｌｓｏ               ｎｏｍｉｎａｔｅｄ               ｉｎ               ｔｈｅ               ｂｅｓｔ               ａｃｔｏｒ               ｃａｔｅｇｏｒｙ               ｆｏｒ               ｈｉｓ               ｒｏｌｅ               ａｓ               Ｍｉｌｔｏｎ.                Ｄｏｎｎａ               Ｒｅｅｄ               ｗａｓ               ｕｎｄｅｒ               ｃｏｎｔｒａｃｔ               ｔｏ               Ｃｏｌｕｍｂｉａ               ａｎｄ               Ｃｏｈｎ               ｓｕｇｇｅｓｔｅｄ               ｈｅｒ               ｆｏｒ               ｔｈｅ               ｐａｒｔ               ｏｆ               ｔｈｅ               ｈｏｓｔｅｓｓ               Ｌｏｒｅｎｅ. Ｚｉｎｎｅｍａｎ               ｓａｉｄ               ｏｋａｙ               ａｆｔｅｒ               ｓｏｍｅ               ｒｅｓｅｒｖａｔｉｏｎｓ. Ｒｅｅｄ               ｐｏｒｔｒａｙｅｄ               ｇｏｏｄ               ｇｉｒｌｓ               ｏｎ               ｆｉｌｍ               ａｎｄ               ｔｈｉｓ               ｗａｓ               ａ               ｒｏｌｅ               ｄｅｐａｒｔｕｒｅ. Ｔｈｅ               Ｊａｍｅｓ               Ｊｏｎｅｓ               ｎｏｖｅｌ               ｗｒｏｔｅ               Ｌｏｒｅｎｅ               ａｓ               ａ               ｐｒｏｓｔｉｔｕｔｅ. Ｔｈｅ               ｃｅｎｓｏｒｓ               ｏｆ               ｔｈｅ               1950'ｓ               ｄｅｍａｎｄｅｄ               Ｌｏｒｅｎｅ               ａｃｔ               ａｓ               ａ               ｎｉｇｈｔｃｌｕｂ               ｈｏｓｔｅｓｓ               ｉｎｓｔｅａｄ. Ｒｅｅｄ               ｄｉｄ               ｓｏ               ｗｅｌｌ               ｔｈａｔ               ｓｈｅ               ｗｏｎ               ｔｈｅ               ｂｅｓｔ               ｓｕｐｐｏｒｔｉｎｇ               ａｃｔｒｅｓｓ               Ｏｓｃａｒ.                Ｍａｎｙ               ｓｃｏｆｆｅｄ               ａｔ               Ｄｅｂｏｒａｈ               Ｋｅｒｒ               ｗｈｏ               ｗａｎｔｅｄ               ｔｈｅ               ｒｏｌｅ               ｏｆ               Ｋａｒｅｎ. Ｚｉｎｎｅｍａｎ               ｓｔａｔｅｄ               ｉｎ               ａｎ               ｉｎｔｅｒｖｉｅｗ               ｔｈａｔ               ｈｅ               ｗａｎｔｅｄ               ｈｅｒ               ｂｅｃａｕｓｅ               ｓｈｅ               ｗａｓ               ｓｏ               ａｇａｉｎｓｔ               ｔｙｐｅ               ｔｈａｔ               ｐｅｏｐｌｅ               ｗｏｕｌｄ               ｇｏ               ａｎｄ               ｓｅｅ               ｗｈａｔ               ｓｈｅ               ｄｉｄ               ｉｎ               ｔｈｅ               ｒｏｌｅ. Ｕｐ               ｔｏ               ｔｈａｔ               ｔｉｍｅ               ｓｈｅ               ｈａｄ               ｏｎｌｙ               ｐｏｒｔｒａｙｅｄ               ｇｏｏｄ               ａｎｄ               ｐｒｏｐｅｒ               ｗｏｍｅｎ               ｏｎ               ｆｉｌｍ. Ｋｅｒｒ               ｗａｓ               ｓｏ               ｐｈｅｎｏｍｅｎａｌ               ｔｈａｔ               ｔｈｅ               ｐｅｒｆｏｒｍａｎｃｅ               ｂｒｏｕｇｈｔ               ｈｅｒ               ａ               ｂｅｓｔ               ａｃｔｒｅｓｓ               Ｏｓｃａｒ               ｎｏｍｉｎａｔｉｏｎ. Ｓｈｅ               ｌｏｓｔ               ｔｈｅ               ａｗａｒｄ               ｔｏ               Ａｕｄｒｅｙ               Ｈｅｐｂｕｒｎ               ｆｏｒ               Ｒｏｍａｎ               Ｈｏｌｉｄａｙ               1953.                Ｉｎ               1979               ａｎ               ＮＢＣ               ｍｉｎｉ-ｓｅｒｉｅｓ               ｗａｓ               ｍａｄｅ               ｂａｓｅｄ               ｏｎ               ｔｈｅ               ｓａｍｅ               Ｊａｍｅｓ               Ｊｏｎｅｓ               ｎｏｖｅｌ. Ｎａｔａｌｉｅ               Ｗｏｏｄ               ａｎｄ               Ｗｉｌｌｉａｍ               Ｄｅｖａｎｅ               ｐｏｒｔｒａｙｅｄ               ｔｈｅ               ｌｅａｄ               ｃｈａｒａｃｔｅｒｓ. Ｔｈｅ               ｔｉｔｌｅ               ｓｔａｙｅｄ               ｔｈｅ               ｓａｍｅ               ａｎｄ               ｔｈｅ               ｓｅｒｉｅｓ               ｄｅｌｖｅｄ               ｄｅｅｐｅｒ               ｉｎｔｏ               ｔｈｅ               ｃｈａｒａｃｔｅｒｓ               ｏｆ               ｔｈｅ               800               ｐａｇｅ               ｎｏｖｅｌ. Ｉｔ               ｗａｓ               ａ               ＴＶ               ｒａｔｉｎｇｓ               ｈｉｔ               ｆｏｒ               ＮＢＣ. Ｎａｔａｌｉｅ               Ｗｏｏｄ               ｗａｓ               ｐｒａｉｓｅｄ               ｆｏｒ               ｈｅｒ               ｐｏｒｔｒａｙａｌ               ｏｆ               Ｋａｒｅｎ               Ｈｏｌｍｅｓ               ｉｎ               ｗｈｉｃｈ               Ｋｅｒｒ               ｏｒｉｇｉｎａｔｅｄ               ｉｎ               ｔｈｅ               ｆｉｌｍ.

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